The feels of nostalgia can drive great design

I spent three hours last night hand-drawing pixel fonts in Pixen, placing each dot with care. At 8x8 pixels, it was just like the many character sets I designed for my Atari 600XL in the early 1980s. Each pixel mattered then because we only had 128 characters to work with and maybe 16KB of RAM, or up to 64KB if you were lucky enough to have a RAM extension or a more expensive 800XL. Today, each pixel matters for completely different reasons: not because of technical constraints, but because those limitations force a special kind of creativity. ...

October 1, 2025 · Bruce Alderson

How we write headlines is changing

I find trends in style guidelines interesting, especially when shared style guides lag language usage in the wild. I have observed a shift in headline style from Title Case to Sentence case in the majority of commercial publications online. I’ve also found a general improvement in clarity from the most reliable publishers, mostly due to well understood in house style guidelines. Common headline formats There are for general formats used for headlines today, with some publications using multiple methods depending on the feed source. ...

February 27, 2022 · Bruce Alderson

Using fonts with ligatures to improve readability

I set up a new dev laptop for myself over the Christmas holidays. I took the opportunity to burn down my old environment and to survey the 2021 tool landscape, which included testing out various terminals and setups, editors, and fonts. This year I discovered Fira Code, a tidy little monospace font that supports ligatures. Ligatures are two or more letters (or graphemes) that can be combined to make a single glyph. The result of combining letters into these ligatures can make complex syntax a bit easier to read, especially if you are familiar with the notations the concepts are based on. ...

March 1, 2021 · Bruce Alderson